For everyone who attended the Baja Land & Sea Photo Retreat, they will never forget the sunrise along the wild shores of the Sea of Cortez. Even those that slept through it heard about it. It had all the potential of just another cliché sunrise. But with each passing moment it became more and more unreal, until it was over the top. Get Inspired By Photos, Videos, Webinars, Stories, And Exclusive Offers. Sign Up
My eye was drawn to the reflections on the wet rocks and motion of the surf. I set up my tripod as close to the rocks that I dared. The sturdy Induro tripod and ballhead made it easy to stabilize the camera in a tenuous situation. I’m after foreground that adds a sense of place, depth, or drama to the image. Sometimes the motion is too much, the water lost in the cotton-candy look. Other times not enough, looking stiff and streaky. To get it just right takes practice and experimentation. Even then it’s in the eye of the beholder.
Canon 5D MkIII, 16-35mm @ f/22, 2 seconds, SinghRay 2-stop Soft-step Grad ND, Induro Tripod and Ballhead
I shot through a sequence of exposures varying my f/stops from f/2.8 to f/22 to alter the depth-of-field, changing ISO to control shutter speeds between 1/4 and 2 seconds, with a neutral-density filter used to hold back the intense sky. Sometimes we get seduced by the filters when software might achieve a better result, so always shoot with and without filters so you can make the choice later.
The high-ISO capability of the Canon 5D MKIII is superb. I always use the lowest ISO possible for the desired result, but I don’t hesitate cranking it up to 1600 ISO, if that what it takes to get the shot. The RAW image was processed in Lightroom for color balance and saturation, which was held back because of the naturally intense colors. Noise reduction was applied to the final image. The selected frame had the best reflections combined with the velvety motion of the water.
What I love about nature photography is that it forces you to be in the moment out in the wilds – to be mindful enough to wait for the light, fine-tune the composition, and anticipate the action. The magic is when it all comes together in the viewfinder, then “click.” We filled our memory cards with memories that will last forever…